From the museum’s press release, 5 May 2017
On 14 March, a team from M-Museum Leuven noticed an interesting piece while on a prospecting visit to The European Fine Art Fair (TEFAF) in Maastricht, the prestigious annual art and antiques fair. It turned out to be an alabaster putto, a small naked angel in stone, that decorated the Sacrament tower in the Celestine Monastery in Heverlee from the 16th century. The sculpture was accompanied on the tower by a similar putto that is now part of the City of Leuven’s collection. The statues were probably parted from one another in 1796.
The newly acquired piece is an extremely valuable addition to the collection, as Peter Carpreau, conservator and head of old masters explains: “M boasts an internationally renowned collection of medieval and Renaissance sculpture. The acquisition of this work by Cornelis Floris II de Vriendt, one of the leading sculptors of the 16th-century Low Countries, fits our collection policy and profile perfectly“. In addition to the fact that this is a beautiful alabaster sculpture of outstanding quality, the rich history and historical value of this lost masterpiece make it an invaluable addition to M and the City of Leuven.
According to Head of Collections Marjan Debaene, there is no doubt that both putti were part of the same ensemble: “There are striking similarities between the putto that is kept at M and the one that was found at the art fair. The design of the pillow, the draping of the cloth, and the anatomy of the bodies are almost identical. At 42 cm, moreover, the statues are exactly the same size. The characteristic fixing points of the putti are likewise the same, which confirms the supposition that they are indeed from the same ensemble”.
Both putti are the work of the Antwerp artist Cornelis Floris II de Vriendt (1513-1575), one of the leading Renaissance sculptors of his time. He was an extremely versatile artist, who not only sculpted but also worked as an architect and designer. Throughout his career, Cornelis Floris II (literally) built an impressive oeuvre, the highpoint of which was his design for Antwerp Town Hall in 1560. Along with architect and sculptor Pieter Coecke van Aelst, he elaborated the Flemish Renaissance visual form, which is often referred to as the ‘floris style’.