CODART, Dutch and Flemish art in museums worldwide

Turmoil and tranquillity conference

Symposium: 14 November 2008

N.B. ORIGINALLY ANNOUNCED FOR 13-14 NOVEMBER, NOW TO BE HELD ON 14 NOVEMBER ONLY.

Museum announcement

Generously supported by The Netherlands Embassy

This international one-day conference will complement the exhibition Turmoil and Tranquillity: the Sea through the Eyes of Dutch and Flemish Masters 1550-1700 (20 June 2008-11 January 2009) at the National Maritime Museum, Greenwich, UK. The Museum holds one of Europe’s finest collections of Dutch and Flemish marine art from the sixteenth to the end of the seventeenth century. The conference aims to build both on the themes raised by the exhibition and on the expertise of academic and museum based scholars in the field.

Between 1550 and 1700 artists from the Netherlands, both Flemish and Dutch, captured the natural elements, air, light and water, in arresting images. Discovering nature for art in their new and particular way, to these artists and their contemporary audiences the sea proved a highly versatile subject in its own right, not least embracing all states of nature between storms and calms, placing their images between landscape and history painting and expressing the grand moods from turmoil to tranquillity. The genre’s success, its ability to forward ideals of national identity, concepts of nature and religious metaphor was readily acknowledged by other maritime nations, not least Britain. The most prominent example of this appreciation may be Charles II’s invitation to Willem van de Velde, the Elder, and his son, Willem, the Younger, to work as court painters in 1672/3.

Conference programme

     

09.30-10.00

Registration and Coffee

 

Queen’s House, NMM

10.00-11.00

Tour of the Turmoil and Tranquillity Exhibition

 

 

Session 1

Interpretation of Netherlandish Seascapes

11.00-11.30

Martina Sitt, Hamburg

Seascape – aesthetic, composition and cultural theory

11.30-12.00

Gary Schwartz, CODART, The Hague

 

Description and/or display: is there really anything typically Dutch or Flemish in seascape painting?

12.00-12.30

Coffee

 

 

 

Session 2

 

Artistic Identity and Seascape Painting

12.30-13.00

Andrew Moore, Norwich Castle Museum

Inhabiting the North Sea: British, Dutch & Flemish marine painting

13.00-13.30

Richard Johns, NMM

Strangers to the City: Netherlandish artists in seventeenth-century London

13.30-14.30

Lunch

 

Orangery of the Queen’s House

 

Session 3

Artistic Practice

 

14.30-15.00

Friso Lammertse, Museum Boijmans Van Beuningen

Willem van de Velde the Elder and the characteristics of penpainting

15.00-15.30

Joaneath Spicer, Walters Art Gallery, Baltimore

Evoking the foreignness of foreign shores, Willaerts and De Bry 

15.30-16.00

Tea

 

 

 

Session 4

‘Turmoil and Tranquillity’, Conservation Project

16.00-16.30

Caroline Hampton and Roger Quarm, NMM

Abraham Storck’s Ships on the River Y: the conservation of a 17th century overdoor with a special provenance

16.30-17.00

Discussion & Closing remarks

 

 

17.00-18.00

Reception

 

Orangery, Queen’s House

Fee

Full Fee: £40.00
Student Fee: £20.00

Booking

To book, send an email to the address below or download the conference booking form here and send to:

Mrs Janet Norton
NMM Research Administrator
National Maritime Museum
Greenwich
London SE10 9NF
UK
Email: research@nmm.ac.uk
Tel: + 44 (0)20 8312 6716
Website: www.nmm.ac.uk/conferences

For more information on the exhibition: www.nmm.ac.uk/turmoil

Related event

Exhibition Turmoil and Tranquillity: the Sea through the Eyes of Dutch and Flemish Masters 1550-1700, Greenwich (National Maritime Museum), 20 June 2008-11 January 2009


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