CODART, Dutch and Flemish art in museums worldwide

Asetelma. Elämä tarjottimella

Still Life - The World on Display Exhibition: 29 September - 31 December 2016

From the museum website, 14 June 2016

What did ”the good life” mean in the 17th century Netherlands? What meanings did people attach to food, flowers and everyday objects?

The exhibition explores the concept of the good life from different points of view such as morality, abundance and transience. Individual objects and topics have the potential to symbolise the values and ideas of an entire culture, religion or society. Many of the themes still remain valid to this day. Among others, material abundance and access to food are themes that remain highly relevant to this day. The exhibition comprises some 50 still lifes from the Netherlands, Italy and Spain, dating back to the 16th–18th centuries. The exhibition also includes contemporary works of art that comment the current themes.

The still life as an art form gained an unprecedented popularity in the 17th century when the Protestant Netherlands’ wealthy bourgeoisie began to acquire art. This popularity was also reflected in the wealth of subjects depicted in the paintings. These ranged from everyday foodstuffs to rich and abundant depictions of game and luxury imported goods, such as lemons and seashells, that revelled in their masterful material qualities.

The Netherlands’ dominance of the world markets meant that the still lifes commonly featured exciting and never-before-seen items, which served to boost the social status of their owners. Advances in plant science gave rise to lush and beautiful flower arrangements, rich in symbolic meaning. New tulip varieties, in a range of vibrant colours, were subject to feverish trade activity – right up until the bubble burst. In response to rising levels of material wealth and well-being, a public discourse on morality and restraint became an important feature of Dutch culture. The skull, originally depicted for medical purposes, became a staple element in the vanitas paintings reminded of the transience of the life, earthly material abundance.

In addition to the Sinebrychoff Art Museum’s own collection, the works on display have been sourced from the Stockholm University Art Collection, the Uppsala University Art Collection Gustavianum, the Kadriog Art Museum in Estonia as well as the Amos Anderson Art Museum, Pohjanmaa Museum and the Serlachius Museums in Finland. Contemporary works of art are from the Kiasma Museum of Contemporary Art and the Finnish State Art Commission collections.

In the exhibition catalogue, Minna Tuominen, provides a thematic exploration of the art works on display in the exhibition.