CODART, Dutch and Flemish art in museums worldwide

Die Geburt der modernen Malerei: Robert Campin, der Meister von Flémalle, und Rogier van der Weyden

The birth of modern painting: Robert Campin, the Master of Flémalle, and Rogier van der Weyden Exhibition: 21 November 2008 - 1 March 2009

From the museum website, 19 February 2009

The Master of Flémalle (frequently identified with the artist Robert Campin, active in Tournai) and Rogier van der Weyden (who demonstrably worked in Campin’s workshop from 1427 to 1432) are – besides the van Eyck brothers – of crucial importance for the birth and the beginnings of Early Netherlandish painting. They stand for the discovery of the visible world which they were able to represent in hitherto unknown realistic detail thanks to the sophisticated new technique of oil painting. Though the Master of Flémalle and Rogier van der Weyden number among the most important and innovative fifteenth-century European artists and their opulently detailed narrative paintings belong to the most beautiful and popular works of art from the turn of the late Middle Ages to the early modern age, there has been no monographic exhibition focusing on these two painters and their work to date –irrespective of the fact that the differentiation between the two oeuvres is still controversial. Four monumental monographic books, arriving at partly radically divergent conclusions concerning this issue, have been dedicated to the two artists only in recent years. Under these circumstances, the exhibition organized by the Städel Museum together with the Gemäldegalerie der Staatlichen Museen zu Berlin offers a splendid opportunity to arrive at persuasive answers based on direct comparison in this contentious matter.

Both the Städel Museum in Frankfurt and the Gemäldegalerie der Staatlichen Museen zu Berlin boast incomparable holdings as regards the Master of Flémalle and Rogier van der Weyden, which will be brought together in this exhibition for the first time. The show will also comprise numerous superb loans from the great museums of the world such as the National Gallery in London, the Museo del Prado in Madrid, the Metropolitan Museum of Art in New York, the Musée du Louvre in Paris, the State Hermitage Museum in St. Petersburg, the National Gallery of Art in Washington, and the Kunsthistorisches Museum in Vienna. More than 50 masterpieces by the two artists – i.e., nearly all surviving and transportable paintings – will be assembled for the occasion. Many of the works have never been lent out before, most of the works will be presented together for the first time. The show thus provides a unique occasion to experience the visual world of two of the most important and influential fifteenth-century artists in a hitherto unknown quality and density. For the Städel Museum and its high-caliber collection of Early Netherlandish painting, this exhibition represents a landmark for the research in this field intensely pursued at the institution for many years.


Supported by Deutsche Bank AG

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