CODART, Dutch and Flemish art in museums worldwide

Macho Men: Hypermasculinity in Dutch & American Prints

Exhibition: 27 August 2022 - 20 March 2023

This Fall the Philadelphia Museum of Art will present a collection of images of thick, muscly he-men made by artists from two very different historical momentsā€”the Netherlands around 1600 and the United States around 1930ā€”in an exhibition that explores themes of masculinity, nationalism, labor, and homoeroticism. Despite the seeming disparity between these contexts, this exhibition shows how crises like the Great Depression in the United States and the Dutch Republicā€™s war with Spain led artists to create similar images of burly beefcakes, broadcasting messages of strength, security, and vigor. Artists from both periods depicted thickset and musclebound male bodiesā€”often nudeā€”as symbols of national and collective might; as personifications of civic, martial, and masculine virtues; and as demonstrations of their virtuosic command of art and anatomy.

(left) Hendrick Goltzius, The Great Hercules, 1589, Philadelphia Museum of Art; (right) Hugo Gellert, Untitled (Primary Accumulation),1933, Philadelphia Museum of Art

Comprised of around fifty works on paper and structured as a series of comparisons between American and Dutch works, Macho Men highlights how artists from both contexts employed comparable imagery and compositional techniques, often to similar ends. The exhibition includes works by Netherlandish artists Hendrick Goltzius, Cornelis van Haarlem, Jan Muller, and Bartholomeus Spranger; and by American artists Paul Cadmus, Hugo Gellert, Charles Demuth, Michael Gallagher, and Arthur Murphy; among others.

These imagesā€”focused as they are on robust male physiques with muscles bulging and bodies intertwinedā€”can be strikingly homoerotic. Yet rather than speculating on particular artistsā€™ sexualities, this exhibition examines how artists from two disparate historical moments turned muscular male bodies into symbols loaded with ideological meaning, inviting queer readings without ascribing specific intention. Today, as paradigms of masculinity and sexuality are being reevaluated and overturned, these images present themselves to audiences to be seen and understood anew.

The exhibition is curated by Jun Nakamura, Suzanne Andree Curatorial Fellow in Prints, Drawings, and Photographs at the Philadelphia Museum of Art.

See the the museum website for more information.