CODART, Dutch and Flemish art in museums worldwide

Dr. Erik Hinterding Curator of Prints, Rijksmuseum in Amsterdam, Netherlands

Information

Member of CODART since 2012

Exhibitions curated since 1999

Selected publications

2021

ā€˜Watermerken in de etsen van Allart van Everdingen’
Erik Hinterding
Essay in Allart van Everdingen 1621-1675. Meester van het ruige landschap [Allart van Everdingen 1621-1675: Master of the Rugged Landscape], catalogue of an exhibition held in Alkmaar Alkmaar in 2021-22, edited by C.M. Klinkert and Y. Bleyverveld, pp. 191–194
Rotterdam (nai010 publishers) 2021

ā€˜ā€œOp zeer levendige wijze geĆ«tstā€. De landschapsprenten van Allart van Everdingen’
Erik Hinterding
Essay in Allart van Everdingen 1621-1675. Meester van het ruige landschap [Allart van Everdingen 1621-1675: Master of the Rugged Landscape], catalogue of an exhibition held in Alkmaar Alkmaar in 2021-22, edited by C.M. Klinkert and Y. Bleyverveld, pp. 117–145
Rotterdam (nai010 publishers) 2021

2019

Rembrandt x Rijksmuseum
Erik Hinterding with contributions by Mireille Linck, Jane Turner and Ilona van Tuinen
Amsterdam [Rijksmuseum] 2019

2016

ā€˜Hercules Seger’s print supports’
Erik Hinterding and Dionysia Christoforou
Essay in Hercules Segers. Painter Etcher, catalogue of exhibition held in Amsterdam and New York in 2016-17, edited by H. Leeflang en P. Roelofs, pp. 91–98 , 331–334
Amsterdam / Rotterdam (Rijksmuseum and Nai010) 2016

2013

Rembrandt. The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts.
Erik Hinterding and Jaco Rutgers
Ouderkerk aan den IJssel 2013 (7 vols)
– Volumes I-II: text I-II, describing in detail the 314 prints (with lots and lots of new states and state changes), their copies, copper-plate and watermark references, richly illustrated with details to clarify the state changes;
– Volumes III-V: plates I-III, illustrating all the states in full (where possible in true size);
– Volumes VI-VII: copies I-II, illustrating the described copies after Rembrandt’s prints (mostly in true size)


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