Lars Hendrikman Curator of Old Master Painting and Applied Arts, Bonnefantenmuseum in Maastricht, Netherlands

Information

Member of CODART since 2006

Exhibitions curated since 1999

Selected publications

2016

The Neutelings Collection : Four centuries of medieval sculpture
Lars Hendrikman
Zwolle (Waanders) 2016

2013

Bonnefantenmuseum – Collectie Nederlandse en Duitse schilderkunst 1500-1800
Lars Hendrikman
Maastricht (Bonnefantenmuseum) 2013

2009

‘The Last Judgement and Seven Works of Mercy’
Lars Hendrikman
In From Quinten Metsys to Peter Paul Rubens, pp. 86-97
Edited by R. Fabri, N. van Hout
Antwerp (Cathedral) 2009

‘Bernard van Orley and Romanism in the 1530s – Technical investigation of the Crucifixion Triptych in the Church of Our Lady in Bruges’
Lars Hendrikman
Article in Nord/Sud, ricezioni fiamminghe al di qua delle Alpi, pp. 108-117. Edited by M. C. Galassi and M. de Floriani
Milaan 2009

‘Bernard van Orley’s Passion Triptych for the Main Altar in Brou – Commission and copies’
Lars Hendrikman
Article in Brou, un monument européen á l’aube de la renaissance, pp. 82-91
Edited by C. Pieri
Parijs (Editions du Patrimoine) Parijs 2009
Publication online (pdf)

2006

‘Portraits and politics – Evolution in the depiction of King Christian II of Denmark’
Lars Hendrikman
Article in Trade, diplomacy and cultural exchange in the Northsea- and Baltic region (ca. 1350-1750), pp. 184-208
Edited by H.J. Brand, D.E.H. de Boer
Hilversum 2006

2002

‘Verknipte interpretatie – over de contemporaine waardering van Rafaëls tapijtkartons met de Handelingen van de Apostelen’
Lars Hendrikman
Article in Polyptiek – Groninger bijdragen aan de kunstgeschiedenis, pp. 83-89
Zwolle 2002

2001

‘Christiaan II als Scandinavische Constantijn’
Lars Hendrikman
Article in Millennium 15 (2001) no. 1, pp. 30-57

1997

‘Enkele modellen uit het atelier van Bernard van Orley’
Lars Hendrikman
Article in Liber Discipulorum – J.R.J. Van Asperen de Boer, pp. 93-102
Zwolle 1997

1995

‘Joachim Patinir, heilige of handelaar?’
Lars Hendrikman
Article in Akt, 67 (1995), pp. 4-13


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