CODART, Dutch and Flemish art in museums worldwide

Dr. Nicola Jennings Visiting Lecturer, The Courtauld Institute of Art in London, United Kingdom


Associate Member of CODART since 2019

Director of the Athena Art Foundation

Selected publications

2021 and forthcoming

‘Reforming the Church and Re-Framing Identity: Converso Prelates and Artistic Patronage in Fifteenth-Century Castile’
Essay in The Conversos and Moriscos in Late Medieval Spain and Beyond. Volume Four: Resistance and Reform, edited by K. Ingram
Leiden (Brill) 2021

‘Bermejo’s Granada Panel: Sampling the Art of Flanders for the Queen’
Essay in El universo pictórico de Bartolomé Bermejo, proceedings of conference organized at the Museo del Prado in November 2018
Madrid (Museo del Prado) 2021.

‘Imitation, Inspiration or Innovation? Juan de Flandes and the Collection of Paintings of Isabella of Castile’
Essay in Flandes by Substitution: Copies of Flemish Masters in the Hispanic World (1500-1700), proceedings of a conference organized by the Royal Institute for Cultural Heritage of Belgium (KIKIRPA), February 2017
Turnhout (Brepols) 2021


‘Inventio and Imitatio: The Appropriation of Valois Style by a Converso Contador Mayor’
Essay in Gothic Architecture in Spain: Invention and Imitation, edited by T. Nickson and N. Jennings
London (Courtauld Books Online) February 2020)


‘At the National Gallery: BartolomĂ© Bermejo’
Article in London Review of Books, vol. 41, no. 17, 12 Sept. 2019

‘Converso Patronage, Self-Fashioning, and Late-Gothic Art and Architecture in Fifteenth-Century Castile’
Essay in Another Image: Jews and Muslims Made Visible in Christian Iberia and Beyond, Fourteenth to Eighteenth Centuries edited by B. Friday, Franco Llopis and A. UrquĂ­zar Herrera
Leiden (Brill) 2019

Review of Bermejo: the 15th-Century Rebel Genius
In The Burlington Magazine, Volume 161, Number 1319 April 2019, pp. 324-326.
Review of an exhibition held in the the Prado in 2018-19.


‘Made in Iberia: A New Look at the Retable of Contador Saldaña in Santa Clara de Tordesillas’
Essay in Netherlandish Art and Luxury Goods in Renaissance Spain edited by D. van Heesch, R. Janssen, J. Van der Stock
Turnhout (Brepols) 2018

Review of Rogier van der Weyden y España
edited by L. Campbell and J. J. PĂ©rez Preciado, Turnhout (Brepols) 2017
Review in Renaissance Quarterly, Volume 71, Issue 4, Winter 2018 , pp. 1465-1466.

‘Identifying the Hand Involved in a Man of Sorrows Produced in the Workshop of the Master of ArtĂ©s’
Nicola Jennings and Isidro Puig
Essay in Late Gothic Painting in the Crown of Aragon and the Hispanic Kingdoms edited by F. Fité and A. Velasco
Turnhout (Brepols) 2018

“Middle-Class’ Men Who Would Be Nobles in Fifteenth-Century Castile, Flanders and Burgundy’
Nicola Jennings and Ann Adams
Essay in Memorializing the Middle Classes in Medieval and Renaissance Europe edited by A. Leader
Kalamazoo (Medieval Institute Publications) 2018


‘Virgin and Child Attributed to the Master of Miraflores’
Essay in Late Medieval Panel Paintings II: Materials, Methods, Meanings edited by S. Nash
London (Sam Fogg) 2015

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