CODART, Dutch and Flemish art in museums worldwide

Sarah Mallory Annette and Oscar de la Renta Assistant Curator of Drawings and Prints, Morgan Library & Museum in New York, New York, USA


Member of CODART since 2023

Areas of specialization

  • 16th- and 17th-century Dutch and Flemish art
  • British art
  • Works on paper
  • Landscape and environmental histories
  • Applied arts

Exhibitions curated since 1999

Selected publications


Material and Visual Legacies of the Dutch Slave Trade: Curating Histories, Envisioning Futures
Co-Editor and contributing author
Leiden (Brill) 2024

ā€˜Arthur Pondā€™s Prints in Imitations of Drawings: Old Masters, Copies, and the National School in Early Eighteenth-Century Britainā€™
Essay inĀ Art and Geography in Europe 1550-1815. Contesting the Geo-Artistic Impact of the School of Art,Ā edited by Ingrid R. Vermeulen
Amsterdam (Amsterdam University Press) 2023


‘Reflecting on Art Museums and the Legacies of the Dutch Slave Trade’
Joanna Seidenstein with Sarah Mallory, KĆ©la Jackson and Rachel Burke
Article in Index Magazine, Harvard Art Museums (22 October 2021)

ā€˜Memory Spaces and Far Away Places: Dutch Mauritius, Golden Age Myths, and The Origins of Landscapeā€™
Essay inĀ Dutch Golden Age(s): The Shaping of a Cultural Community,Ā edited by Jan Blanc
Turnhout (Brepols) 2021


‘A Lost Dog Found: A Tapestry Cartoon Fragment Attributed to Bernard Van Orley’
Article in Master Drawings 52, no. 3 (2014), pp. 91- 98.

ā€˜Defining and Designing Tapestriesā€™
Essay inĀ Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, catalogue of an exhibition at the Metropolitan Museum of Art in 2014, edited by Elizabeth Cleland.
New Haven (Yale University Press) 2014

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