CODART, Dutch and Flemish art in museums worldwide

Sarah Mallory Annette and Oscar de la Renta Assistant Curator of Drawings and Prints, Morgan Library & Museum in New York, New York, USA

Information

Member of CODART since 2023

Areas of specialization

  • 16th- and 17th-century Dutch and Flemish art
  • British art
  • Works on paper
  • Landscape and environmental histories
  • Applied arts

Exhibitions curated since 1999

Selected publications

Forthcoming

Material and Visual Legacies of the Dutch Slave Trade: Curating Histories, Envisioning Futures
Co-Editor and contributing author
Leiden (Brill) 2024

‘Arthur Pond’s Prints in Imitations of Drawings: Old Masters, Copies, and the National School in Early Eighteenth-Century Britain’
Essay in Art and Geography in Europe 1550-1815. Contesting the Geo-Artistic Impact of the School of Art, edited by Ingrid R. Vermeulen
Amsterdam (Amsterdam University Press) 2023

2021

‘Reflecting on Art Museums and the Legacies of the Dutch Slave Trade’
Joanna Seidenstein with Sarah Mallory, Kéla Jackson and Rachel Burke
Article in Index Magazine, Harvard Art Museums (22 October 2021)

‘Memory Spaces and Far Away Places: Dutch Mauritius, Golden Age Myths, and The Origins of Landscape’
Essay in Dutch Golden Age(s): The Shaping of a Cultural Community, edited by Jan Blanc
Turnhout (Brepols) 2021

2014

‘A Lost Dog Found: A Tapestry Cartoon Fragment Attributed to Bernard Van Orley’
Article in Master Drawings 52, no. 3 (2014), pp. 91- 98.

‘Defining and Designing Tapestries’
Essay in Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, catalogue of an exhibition at the Metropolitan Museum of Art in 2014, edited by Elizabeth Cleland.
New Haven (Yale University Press) 2014

News about this curator