Print Quarterly December 2019 (vol. XXXVI, no. 4) Issue Published

The latest issue of Print Quarterly includes an article on the recently discovered inventory of the Venetian print shop of the Sadeler family. It was drawn up by Justus Sadeler (1583–1620) and details the prints and copperplates in the family workshop at the death of his father, Jan (1550–1600). The inventory is published in full in an appendix. This issue of the Journal also includes an article on Wenceslaus Hollar and a review note on Petra Wandrey’s recent book on Hendrick Goltzius’ print series The Life of the Virgin, Ehre über Gold: Die Meisterstiche von Hendrick Goltzius. Bildtheorie und Ikonographie um 1600.

Contents of Print Quarterly vol. XXXVI, no. 4

The Inventory of the Sadeler Venetian Printing Shop by GEORGIOS E. MARKOU
Wenceslaus Hollar’s Muscarum Scarabeorum Vermiumque varie figure Anatomized and Identified by MARK STOCKER, JULIA KASPER AND PHIL SIRVID
Étienne Fessard’s Prints of the Chapel of the Hôpital des Enfants Trouvés in Paris by RENA M. HOISINGTON
Rethinking Mary Cassat’s Reflection as a Self-Portrait by NICOLE M. GEORGOPULOS

Notes

Sharing Images. Reinassance Prints into Maiolica and Bronze by CATHERINE JENKINS
Art and Violence in Early Renaissance Florence by DAVID LANDAU
Portraits of Artists, to 1800 (Platz da im Pantheon) by DOMINIC BATE
Hendrick Goltzius’s (1558–1617) Meisterstiche (Petra Wandrey, Ehre über Gold) by ILJA M. VELDMAN
Surimono Poetry Prints at Oxford by ELLIS TINIOS
Yoshijiro Urushibara, a Japanese Printmaker in London, a Catalogue Raisonné by KENDALL H. BROWN
Jules Chéret’s (1836–1932) ephemera by NICOLAS-HENRI ZMELTY
Cassat, Degas and Pissarro by ASHLEY DUNN
Haden, Palmer, Whistler and the Origins of the Royal Society of Painter-Printmakers by CAROLINE GUIGNARD
Quiz for Our Readers: Figures Seated and Standing Around a Table; an aquatint at the Wellcome collection.
Ludwig Meidner (1884–1966): Encounters in early-twentieth century Germany by SHULAMITH BEHR
William J. Dickerson, 1904–1972: Lithographs, Block Prints and Etchings by CONSTANCE MCPHEE
The Royal College of Art’s Coronation Lithographs by MICHAEL CLEGG
Aldo Crommelynck (1931–2008) by DOMENICO PINO
Furio de Denaro (1956–2012) by MARTIN HOPKINSON
Artists’ Postcards, 1960 to Now by GILL SAUNDERS

Catalogue and Book Reviews

Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy by HÉRICA VALLADARES
Architectural Prints and the Practice of Copying in the Late Renaissance (Drawing after Architecture) by DARIO DONETTI
The Icon of the Slave Ship by JEAN MICHEL MASSING