The latest issue of Print Quarterly (Volume XXXI, no. 4, December 2014) has appeared. The contributions with Dutch/Flemish content include an article on Willem van Nieulandt II, a note on Boëtius and Schelte à Bolswert and a review on Michiel Coxcie.

Table of contents

Articles

Touch and Vision in Edgar Degas’s Darkfield Monotypes by KATHRYN BROWN
Willem van Nieulandt II as Printmaker by WILLEM ADRIAAN TE SLAA
Celestial Themes, Censorship and World War I in Henry de Groux’s The Face of Victory by STEPHEN H. GODDARD 

Shorter Notices

A Drawing by Polifilo Zancarli for an Etching by Odoardo Fialetti by BRYONY BARTLETT-RAWLINGS
Whistler and The Fall of the House of Usher by MARTIN HOPKINSON 

Notes

Boëtius and Schelte à Bolswert by CHRISTOPHER BROWN
Arcadia by MATTHIAS WIVEL
Francesco Vanni by JENNIFER SLIWKA
Picture Motets by ELISABETH GISELBRECHT
The Origins of Caricature by JOHN ROGER PAAS
Baldinucci’s Treaty on Prints by MICHAEL BURY
Visiting Boboli in the Age of Enlightenment by ELOISA DODERO
G.E. Bentley Jr. and William Blake by ANTONY GRIFFITHS
Yoshitoshi by ELLIS TINIOS
A History of Screenprinting by STEPHEN HOSKINS
Post-World War II Print Workshops in Rome by MARTIN HOPKINSON
The International Print Biennale by PAUL COLDWELL
Thomas Bewick by NIGEL TATTERSFIELD
Degas’s Method by ANNA GRUETZNER ROBINS
Camille Pissarro by KATHRYN BROWN
Koloman Moser by DIANE SILVERTHORNE
Bernard Leach by FIONA HACKNEY
Eric Ravilious by PENNY JOHNSON
Xerography by GUSTAVO GRANDAL MONTERO 

Catalogue and Book Reviews

The Sorrows of Young Albrecht by PETER PARSHALL
The Four Seasons Tapestries at Hatfield House by MALCOLM JONES
Sex and Humour in Japanese Art by MIRIAM WATTLES
Michiel Coxcie by EDWARD WOUK
The Sensuality and Modernity of Fin-de-Siècle Print Culture by ANNA SIGRÍDUR ARNAR
Brian Rice by JULIA BEAUMONT-JONES