CODART, Dutch and Flemish art in museums worldwide

Anne van Oosterwijk Director of Collection, Musea Brugge in Brugge (Bruges), Belgium

Information

Member of CODART since 2007

Areas of specialization

  • Early Netherlandish art
  • Stained-glass windows, preparatory cartoons and vidimi (small-scale contract drawings)
  • Scientific research of paintings

Exhibitions curated since 1999

CODART publications

Anne van Oosterwijk, “Dürer Was Here: A Journey Becomes Legend”, CODARTfeatures, October 2021.

Selected publications

2018

‘Pourbus’ stijl in verf en ondertekening’
Essay in Pieter Pourbus, Meesterschilder van Gouda, edited by M. de Beyer and J. de Fouw
Gouda (Museum Gouda) 2018

‘The repainting of a triptych by Pieter I Claeissens, an exceptional situation or common practice?’
Essay in Workshop Practice in Netherlandish painting: Case studies from Van Eyck through Gossaert, edited by Maryan Ainsworth
Turnhout (Brepols) 2018

‘The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens’
Essay in Technical studies of Paintings:  Problems of attribution (15th-17th centuries), papers presented at the XIXth Symposium for the Study of Underdrawing and Technology in Painting held in Bruges, 11-13 September 2014, pp. 238-249.
Leuven (Peeters) 2018

2017

Forgotten Masters. Pieter Pourbus and Bruges Painting 1525 to 1625
Anne van Oosterwijk
Ghent (Snoeck) 2017

2015

‘Een triptiek van Pieter I Claeissens voor de Eekhoutabdij’
Article in Handelingen voor het Genootschap van Geschiedenis, 152, vol. 1 (2015), pp. 93-116.

2009

‘Two panels or one?, the baptism of Christ by Jan van Scorel’
Anne van Oosterwijk and Arie Wallert
Article in Le dessin sous jacent, colloque XVI
Leuven, 2009


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