• Gerdien Verschoor, Old Masters, modern times
• Olga Kotková and Isabelle De Jaegere, Roelandt Savery: painter in the services of Emperor Rudolf II
• Hanna Benesz, Frescoes after Otto van Veen’s Quinti Horatii Flacci Emblemata in Bielinski Palace at Otwock Wielki
  Hanna Benesz provided us with more images of the palace then we could fit in the paper version. Please find all the images here.
• Eero Ehanti, The Vrouw Maria and the Braamcamp paintings
• Paul Knolle, Rijksmuseum Twenthe
• Angelika Lorenz, LWL-Landesmuseum in Münster
• Teresa Posada Kubissa, Dutch painting in the Spanish royal collections
• Nancy Kay, Art, music and spectacle in the age of Rubens
• George Keyes, interviewed by Victoria Sancho Lobis

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• Gerdien Verschoor, The Other
• Nadine Orenstein and Stijn Alsteens, Dutch and Flemish drawings, prints and books recently acquired by the Metropolitan Museum of Art
• Gero Seelig, Five paintings related to Gerard Dou in Schwerin
  
• Antoine M. Wilmering, Getty adresses skills gap in the structural conservation of panel paintings
  
• Tanya Paul, The Philbrook Museum of Art
  
• Leila Mehulic, 17th-century Dutch painting in the Mimara Museum in Zagreb
  
• Eric Domela Nieuwenhuis, Picture frames in the Netherlands
  
• Gerdien Verschoor, Interview with the Honorable Ambassador J. William Middendorf II
  
• Piotr Borusowski, Interview with Lia Gorter

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• Gerdien Verschoor, From The Hague to Yasnaya Polyana and back
• Jeroen Giltaij and Friso Lammertse, The history of the 17th-century Dutch and Flemish paintings in the Museum Boijmans Van Beuningen
• Dariusz Kacprzak and Priscilla Valkeneers, Jacob Jordaens’ Madonna and Child in a garland of flowers and fruit
  
• Amy Walsh, The Los Angeles County Museum of Art (LACMA)
• Karen Hearn, Netherlandish artists in the Tate Collection
  
• Dennis P. Weller, Seventeenth-century Dutch and Flemish paintings in Raleigh
  
• Huigen Leeflang, Interview with Antony Griffiths
• Christi Klinkert, Interview with Peter van den Brink

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• Gerdien Verschoor, A lively exchange of ideas
• Thomas Ketelsen, On the typology of Dutch 16th-century drawings
• Manfred Sellink, Yao-Fen You, and Olena Zhivkova, Crisis! Crisis?
  
• Reports on the Market of ideas session from the CODART TWAALF congress by market table leaders
• Rudi Ekkart, Dutch and Flemish portraits in Finland
• Ebeltje Hartkamp-Jonxis and Hillie Smit, In Maastricht: treasures from the tapestry collection of the Rijksmuseum
  in Amsterdam
  
• David A.H.B. Taylor, Dutch and Flemish portraits in the Scottish National Portrait Gallery
• Frank Bergevoet, Mobility of curators: A proposal to CODART members
• Tom van der Molen, Interview with Fred G. Meijer

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• Gerdien Verschoor, Bringing back the muse
• Suzanne Laemers, A special on attribution: a partnership between CODART and the RKD
• Fritz Koreny, Jan Provoost in Genoa and Florence
  
• Ewoud Mijnlieff, Drawings XL
• Peter Black, Dutch and Flemish art at Glasgow University
• Monique Dickhaut, Deaccession of an “orphaned” collection in Maastricht
  
• Farida Simonetti, Flemish silver in the Galleria Nazionale di Palazzo Spinola in Genoa
• Carel Blotkamp, CODART, let’s get modern!
• Willem Jan Hoogsteder interviewed by Gerdien Verschoor, A CODART maecenas: benefactor and partner
• Ruud Priem, Interview with Hanna Benesz (Interested in the full interview? Click here.)

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• Gerdien Verschoor, No Cookies
  
• Lawrence W. Nichols, Where do we come from? What are we? Where are we going? CODART after ten years
• Eric Domela Nieuwenhuis and Ewoud Mijnlieff, interviewed by Gerdien Verschoor, In someone else’s shoes: curatorial mobility in practice
• Rinske Jurgens and Remmelt Daalder, interviewed by Marina Fidder, Amsterdam expertise and Rotterdam flair: a unique collaboration between two maritime museums
• Daniel Christiaens, The Maagdenhuismuseum, Antwerp
• Catalina Macovei, Flemish artists working in Italy: drawings from the library of the Romanian Academy
• Rhea Sylvia Blok, A new edition of Frits Lugt’s Les marques de collections de dessins & d’estampes
• Alice C. Taatgen, Becoming a real curator: CODART’s role in promoting promising young curators
• Görel Cavalli-Björkman, interviewed by Marrigje Rikken

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• Gerdien Verschoor, CODART “Light”
• Olga Kotková, Flemish paintings of the 17th century from the National Gallery in Prague sent to Japan
• Jennifer Scott, Flemish paintings from the Royal Collection on show in Edinburgh, Brussels and London
• Marianne Koskimies-Envall, Netherlandish art in the Ostrobothnian Museum in Vaasa: conservation and attribution
• Marta Gołabek and Dominika Walawender-Musz, Cataloguing war losses from the Wilanów Palace Museum in Warsaw
• Veronique Vandekerchove, Museum Leuven: architecture and installation hand in hand
• Robert Hoozee and Cathérine Verleysen, The new Museum voor Schone Kunsten in Ghent
• Wietske Donkersloot, Interview with Frits Duparc

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• Gerdien Verschoor, View
• Shlomit Steinberg, Jan Both, Italianate landscape with figures – work in progress
• Teresa Calero Martínez de Irujo, The Dutch influence on viceregal Mexican furniture
• Stephen Borys, News from the John & Mable Ringling Museum of Art, Sarasota, Florida
• Oscar Antuña Benitez, The Museo Nacional de Bellas Artes de Cuba – conservation and exhibition
• Jef Schaeps, The print room of Leiden University – online acces to prints and drawings
• Lars Hendrikman, The Rijksmuseum Maastricht – collection mobility and joint research output
• Wietske Donkersloot, The exhibition catalogue: curse or blessing?
• Sabine Pénot, Interview with Paul Huvenne

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• Gerdien Verschoor, CODART’S Friends
• Blaise Ducos and Carel van Tuyll van Serooskerken, Projects at the Louvre for the Écoles du Nord
• Zoltán Kovács, A recently identified Cavalry skirmish by Pieter Quast in a Hungarian private collection
• Liubov Savinskaya, The Dutch paintings in the collection of Prince Nicolaj Borisovich Yusupov (1750-1831)
• Sander Paarlberg, Paintings around 1700 in Cologne, Dordrecht and Kassel
• Dorothee Hansen, Kunsthalle Bremen
• Mary Kisler, Auckland Art Gallery Toi o Tāmaki
• Nils Ohrt, Speaking Dutch in Denmark: The Nivagaards Malerisamling
• Adriaan E. Waiboer, Interview with Jan Piet Filedt Kok

Download Courant 13 as PDF file (600 Kb)

• Gerdien Verschoor, Rembrandt overkill?
• Sylvain Boyer, Les maîtres du Nord at the Musée Calvet in Avignon
• Lien de Keukelaere, The Rogier van der Weyden exhibition in Leuven in 2009
• Antoni Ziemba, Two (new) Rembrandts in Warsaw
• Svitlana Stets, The Lviv Art Gallery
• Diederik Bakhuÿs, The Musée des Beaux-Arts de Rouen
• Judith Mann, The St. Louis Art Museum
• Arjen Kok, The ICN and the sale of items from museum collections
• Hosting curators of the CODART NEGEN study trip to the Netherlands
• Karen Hearn, Silke Gatenbröcker and Larry Nichols, Reviews of the CODART NEGEN congress
• Alastair Laing, Review of the CODART NEGEN study trip

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• Gerdien Verschoor, CODART: plans, friends, and a flute play by Jacob van Eyck
• Ulrich Becker, New galleries for Old Masters in Schloss Eggenberg in Graz
• Geert Souvereyns, Introducing the vlaamsekunstcollectie
• Julia Tatrai, Barendt Fabritius Manoah’s sacrifice in the Szépmüvészeti Múzeum in Budapest
• Hildelies Balk, Hannema’s Old Master paintings in the new Museum de Fundatie in Zwolle
• Dariusz Kacprzak, Introducing the collection of the Muzeum Sztuki in Łódź
• Vadim Sadkov and Marina Senenko, Recent acquisitions and exhibitions in the Pushkin State Museum of Art in Moscow
• Walter Liedtke, Dutch paintings in the Metropolitan Museum of Art in New York

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• Peter van den Brink, Plans for the Suermondt-Ludwig-Museum in Aachen
• Gregor J.M. Weber, News from the Gemäldegalerie Alte Meister in Kassel
• Adriaan E. Waiboer, Introducing the collection of the National Gallery in Dublin
• Bob van den Boogert, Rembrandt 400 in 2006
• Hanna Benesz, Events in Poland in 2004
• Dragana Kovacic, Introducing the graphic collection of the National Museum in Belgrade
• Olena Zhivkova, Introduction the collection of the Bogdan and Varvara Khanenko Museum of Art in Kiev
• Ron Spronk, An exhibition project on Jan Provoost
• Deborah Meijers and Renée Kistemaker, The paper museum of the Academy of Sciences in St. Petersburg
• Görel Cavalli-Björkman, Karin Sidén and Börje Magnusson, Dutch and Flemish Art in Sweden: an overview

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• Helena Risthein, The Creation of Eve: notes about a painting and a related print in the Art Museum of Estonia
• Christian Tico Seifert, Introducing the Niederländisches Forum in Berlin
• Natalja Markova, News from the Pushkin State Museum of Fine Arts in Moscow
• Görel Cavalli Björkman, The collection of Dutch and Flemish art of the Nationalmuseum in Stockholm
• Lawrence W. Nichols, Introducing the Association of Art Museum Curators (AAMC)

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• Olga Kotková, A birthday greeting to Hana Seifertová, curator of the National Gallery in Prague
• Stijn Alsteens, Activities of the Fondation Custodia in Paris
• Ildikó Ember, News from the Museum of Fine Arts in Budapest
• Catherine Philips, News from the State Hermitage Museum in St. Petersburg
• Antoni Ziemba, The Low Countries and Poland: a history of artistic connections
• Hanna Benesz, Early Netherlandish, Dutch and Flemish paintings in Polish collections
• Joanna Tomicka, Dutch and Flemish prints in major Polish collections
• Maciej Monkiewicz, 16th- to 18th-century Flemish and Dutch drawings in Polish collections
• Krystyna Gutowska-Dudek, The Dutch and Flemish paintings housed in Wilanow Palace Museum
• Wanda M. Rudzińska, The Tilman van Gameren archive in the print room of Warsaw University Library
• Rulers of Poland 14th-18th century
• Index of collectors and patrons of Dutch and Flemish art in Poland

Download Courant 8 as PDF file (2.5 Mb)

• Alisa Bunbury and Ted Gott, News from the National Gallery of Victoria in Melbourne
• David de Witt, News from the collections of Dutch and Flemish art in Canada
• Stijn Alsteens, Current projects of the Fondation Custodia in Paris
• Uta Neidhardt, The Gemäldegalerie Alte Meister in Dresden after the floods in 2002
• Thea Vignau-Wilberg, News from the collections of Dutch and Flemish art in Munich
• Raffaella Colace, Bert W. Meijer’s influential role in study and research projects on Dutch and Flemish art in Italy
• Yoriko Kobayashi-Sato, News from the collections of Dutch and Flemish art in Japan
• Maria Ordeanu, News from the Brukenthal Museum in Sibiu
• Axel Rüger, News from the collections of Dutch and Flemish art in the United Kingdom and Ireland
• Gary Schwartz, A typical CODART story: the reconstruction of a polyptych by Juan de Flandes
• José Enrique Torres and Fernando Villegas, The influence and uses of Flemish painting in colonial Peru

Download Courant 7 as PDF file (2.5 Mb)

• Peter Schoon, In memory of Angela Tamvaki, curator of the National Gallery in Athens
• Anton Henri Berden, A very cordial reception for Dutch and Flemish art in Brazil
• Jorge Victor de Araújo Souza, An engraving of the Last Judgment in the Museu Nacional de Belas Artes in Rio de Janeiro
• Sander Paarlberg, The Golden Age of Dordrecht exhibition in the Museo Nacional de Bellas Artes in Santiago de Chile
• Maria del Carmen Rippe Moro, News from the Museo Nacional de Bellas Artes de Cuba
• Hana Seifertová, Recent events in the National Gallery in Prague
• Kadi Polli, News from the Kadriorg Art Museum in Tallinn
• Júlia Tátrai, Current projects of the Szépmûvészeti Múzeum in Budapest
• Lia Gorter and Bernard Vermet, The collection of Dutch and Flemish paintings of the National Museum in Belgrade
• Alexander Vergara, News from the Museo Nacional del Prado

Download Courant 6 as PDF file (1.8 Mb)

• Carl Depauw, The exhibition Early Netherlandish drawings in the Rubenshuis in Antwerp
• Zuzana Paternostro, The history of the collection of the Museu Nacional de Belas Artes in Rio de Janeiro
• Lia Gorter, The project of the Foundation for Cultural Inventory on the Dutch and Flemish paintings of the Museo Nacional de Bellas Artes in Havana
• Nils Büttner, The 250th anniversary of the Herzog Anton Ulrich-Museum in Braunschweig in 2004
• Wolfgang Savelsberg, A live report on the flooding in Dessau and Wörlitz in Summer 2002
• Gary Schwartz, The dissertation of Katharina Bechler on Schloss Oranienbaum
• Catalina Macovei, Report on the work visit to the Netherlands to study the collection of the Library of the Romanian Academy in Bucharest
• Gary Schwartz, Christopher Brown and Julia Lloyd Williams knighted by Queen Beatrix
• The catalogue of the exhibition Drawing on Italy in the National Gallery of Scotland in Edinburgh

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• Renate Trnek, News from the collections of Dutch and Flemish art in Vienna and Innsbruck
• Helena Risthein, News from the collections of Dutch and Flemish art in Tallinn and Tartu
• Jochen Luckhardt and Thomas Ketelsen, News from the collections of Dutch and Flemish art in Germany
• Daiga Upeniece, Recent events in the Museum of Foreign Art in Riga
• Ildikó Ember, News from the Szépmûvészeti Múzeum in Budapest
• Maciej Monkiewicz, News from the collections of Dutch and Flemish art in Poland

Download Courant 3 as PDF file (1.8 Mb)

• Report on the CODART EEN study trip to Berlin, Brandenburg, Schwerin and Dessau (1999)
• Report on the CODART TWEE congress on Dutch and Flemish art in Russia (1999)
• Report on the CODART TWEE study trip to St. Petersburg and Moscow and the symposium in St. Petersburg (1999)
• In memoriam Xenia Sergeevna Egorova
• Report on the CODART DRIE congress on the Spanish Habsburgs and the Netherlands (2000)
• Report on the CODART DRIE study trip to Spain (2000)
• Report on the CODART VIER congress on Dutch and Flemish art in Romania (2001)
• Report on the CODART VIER study trip to Romania (2001)

Download Courant 2 as PDF file (1.5 Mb)

• CODART news
• Report on the CODART EEN congress on The 17th-century collections of the House of Orange
• Konrad Renger, The reopening of the Alte Pinakothek in Munich in 1998

Download Courant 1 as PDF file (385 Kb)