On 13 December 2012 the Museum of Fine Arts (Szépművészeti Múzeum) Budapest organized a feast on the occasion of the 70th birthday of Ildikó Ember, Head of Department of Old Masters’ Gallery. She was presented with the first copy of Geest en gratie. Essays Presented to Ildikó Ember on Her Seventieth Birthday. This volume comprises 29 essays by a group of international scholars.
Table of contents
Quentin Buvelot
On Coorte’s Still Life with Two Walnuts
Fred Meijer
A Partridge by Abraham van Calraet (1642–1722) in Budapest
Júlia Tátrai
The Beatified Martyrs of Gorcum: A Series of Paintings by David Teniers the Younger and Wouter Gysaerts
Ursula Härting
Blumenbuketts in Prunkvasen. Frans Francken II. – Andries Daniels – Philips de Marlier
István Németh
Still Lifes by Abraham van Beijeren in the Former Collection of Marcell de Nemes
János Jernyei Kiss
“… nach dem Tegst gerichtet, ohne das Kunst mesige fallen zu lasen”: Still Life and Trompe- l’oeil Elements in Late Baroque Ceiling Painting
Rudi O. Ekkart
Harmen de Bye, herbergier, burgemeester en portretschilder
Peter van den Brink
Not Govaert Flinck, but Jacob Backer: The Resurfaced Portrait of Cornelis de Graeff
Ingrid Ciulisová
‘Portrait of an Oriental’ and Its Story: A Short Report
Görel Cavalli-Björkman
The Art of Painting by Martin Mijtens the Elder
Harald Marx
»dass man wahre Natur zu erblicken glaubte«
Anton Graff – Ein Bildnismaler zwischen Abbild und Vorbild. Zu drei Selbstbildnissen in der Dresdener Gemäldegalerie
Hana Seifertová
Bemerkungen zu Joachim von Sandrarts’ Bildnis des Ottavio Piccolomini mit seinem Adjutanten Hans Christoph Ranfft
Annamária Gosztola
A Portrait of Christian Wermuth in the Szépművészeti Múzeum
Gary Schwartz
With Emanuel de Witte in the Oude Kerk in Amsterdam
George Keyes
A Panoramic View of Amersfoort Attributed to Joost de Volder
Karin Sidén
Dutch Art and Artists in Seventeenth-century Sweden
Dóra Sallay
The Avignon-Type of the Virgin of Humility: Examples in Siena
Anna Eörsi
Cupido, Salomon and Sheba (Piero della Francesca, Arezzo)
Vilmos Tátrai
A Newly Found Pontormo Invention and the Old Questions
Axel Vécsey
Appendix: Some Remarks on the Provenance of the Madonna Discussed in Vilmos Tátrai’s Article
Szilvia Bodnár
German Drawings with the Inscription “Roma 1591”
Axel Vécsey
Zoltán Kárpáti
Two Festival Designs from the Workshop of Jacopo Strada
Éva Nyerges
Recently Attributed Seventeenth-century Neapolitan Paintings in Hungary
Andrea Czére
A Newly Identified Painting by Denys Calvaert
Ágota Varga
Acquisitions by Arnold Ipolyi from the Johann Friedrich Fromm Collection in Cologne. On the Provenance of Some German and Netherlandish Paintings in the Christian Museum in Esztergom
Imre Kovács
A Delacroix Drawing in the Possession of Liszt: Hamlet and Horatio in the Graveyard and Nineteenth-century Hamlet Reception
Judit Geskó
Le sujet ne signifie rien. Paul Cézanne’s Peasant Family at Home, and the Ostade picture in Budapest
Mariann Gergely
Van Doesburg Versus Mondrian: The Role of Their Different Views on Space in the Disintegration of the Stijl Group
