In the latest volumes of Print Quarterly (Volume XXVIII, No. 3, September 2011 and No.4, December 2011), some interesting articles
with Dutch/Flemish content appeared: “Jan Gossaert’s Mocking of
Christ, a Reversal of States” by Nadine M. Orenstein, “A New State by Goltzius, with Imperial Implications” by Marjorie B. Cohn, “Some
Observations on Rembrandt’s Bathers” by Martin Royalton-Kisch, “James Hughes Anderdon’s Collectanea Biographica: An extraordinary collection in the Keeper’s Office” by An Van Camp, “A Hoytema Archive in Boston” by Clifford S. Ackley, and “Hercules Segers Influence on Post-World War II Netherlandish Printmakers” by Jan Piet Filedt Kok.
For a full listing of contents see below.
Contents
Introduction
David Landau
An Addition to the Oeuvre of Wenzel von Olmütz
Christopher Mendez
An Early Forgery of the Buxheim St. Christopher
Szilvia Bodnár
A Little Gift from an Old Friend: Dürer’s Drawings by Fra Giocondo
Arnold Nesselrath
Jan Gossaert’s Mocking of Christ: A Reversal of States
Nadine M. Orenstein
Niccolò Vicentino’s Miraculous Draught of Fishes
Naoko Takahatake
Michelangelo at Fontainebleau
Catherine Jenkins
Béatrizet’s Last Judgement, after Michelangelo, in the Courtauld Gallery
Michael Bury and Katharine Lockett
A New State by Goltzius, with Imperial Implications
Marjorie B. Cohn
Rome 1610: Guido Reni After Annibale Carracci
Marzia Faietti
An Unrecorded English Broadside Ballad of 1626 in Český Šternberk
David Paisey
Cesare Bassano’s 1635 Siege of Valenza
Mark McDonald
Cardinal Francesco Barberini and the Specula Principum Tradition
Ketty Gottardo
‘Washing the Ass’s Head’: Proverbial and Allegorical Prints
Jean Michel Massing
Robert Vaughan and Monumental Brasses
Simon Turner
Some Observations on Rembrandt’s Bathers
Martin Royalton-Kisch
A Rare Survivor: François Langot’s Christ Crowned with Thorns
David Maskill
Jean Lepautre’s Forgotten Seven Cannons
Maxime Préaud
A Mauro Gandolfi Print Study: Lost and Found
Hugo Chapman
Remarks on Giambattista Tiepolo’s Scherzi
Christian Rümelin
Giovanni Domenico Tiepolo: The Pastiche as Capriccio
Peter Parshall
William Pennock – Retrieving an Early Eighteenth-Century Print-Publisher
Malcolm Jones
Satirical Prints by Jefferyes Hamett O’Neale
Sheila O’Connell and Rosemary Baker
Jean-Baptiste Glomy’s Etched Borders for Drawings and Prints
Peter Fuhring
The Print Collection of Sir Joshua Reynolds
Donato Esposito
Raphael Morghen’s Inventory of the ‘Calcografia Volpato’
Giorgio Marini
Some Thoughts on Flaxman and the Engraved Outlines
Deanna Petherbridge
Frog to Apollo: A French Print After Lavater and Pre-Darwinian Theories of
Evolution
David Bindman
Enlightened Friendship
Frances Carey
‘Good Morning Gentlemen, What Are We Up To?’
Ger Luijten
Alexander Cozens and Amateurs Drawn to Etch
Kim Sloan
James Hughes Anderdon’s Collectanea Biographica: An Extraordinary
Collection in the Keeper’s Office
An Van Camp
Documents on Godefroy Engelmann’s Chromolithographie
Tanya Szrajber
Antoine-Augustin Renouard’s Collection of Affiches de Librairie
Chris Michaelides
Five Lithographic Stones for Manet in 1873
Juliet Wilson-Bareau
Degas and Hiroshige
Thomas Rassieur
Reflections on Gauguin’s Woodcut Soyez Amoureux
Richard S. Field
The Book and Print Collector Hans Fürstenberg
Paul R. Quarrie
A Hoytema Archive in Boston
Clifford S. Ackley
Boom and Bust: Notes on the Inter-War British Print Bubble
Celina Fox
Two Bookplates by Joseph Hecht
Martin Hopkinson
Patriotic Hellenism: A Poster for the 1948 London Olympics
Ian Jenkins
Hercules Segers Influence on Post-World War II Netherlandish Printmakers
Jan Piet Filedt Kok
An Unknown Lithograph from Philip Guston’s Late Work
Michael Semff
Disguising Dürer’s Line and Other Print Transformations by Carl Fudge
Marilyn Symmes
‘Geography with a Purpose’: Bea Maddocks’ Terra Spiritus
Irena Zdanowicz
